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Baiheverse Close ReadUpdated October 2026

Jade Seduction and Fingersmith

Jade Seduction (玉指情挑) is a Chinese GL manhua whose Chinese title borrows 情挑 from 指匠情挑, the Chinese title of Sarah Waters’s 2002 novel Fingersmith, a classic of lesbian fiction. The comic’s producers call it a homage. Like Fingersmith and Park Chan-wook’s The Handmaiden, it hands a sheltered woman erotica meant for men and lets her read her own desire in it.

情挑

One phrase, two titles

To stir desire, to tease it out. Both Chinese titles end on it.

The Chinese title of Sarah Waters’s novel. “Fingersmith” is old slang for a thief, or a midwife: clever hands either way.

Jade fingers in place of a thief’s. The hands here belong to two imperial consorts.

Jade Seduction · 7 sections so far · Ongoing · Free to start

Start readingCompare the three stories
Mu Yunzhao and Shen Qingshuang face to face under a paper umbrella, Jade Seduction
PreviewSpring, first meeting
Shen Qingshuang in pale green, holding a round fan, Jade Seduction
PreviewShen Qingshuang, the Jade Guanyin
Mu Yunzhao in red, one arm raised over her head, Jade Seduction
PreviewMu Yunzhao, the Flaming Rakshasa

Scenes from Jade Seduction1 / 3

Three stories, four threads

Fingersmith, The Handmaiden and Jade Seduction

Park Chan-wook moved Fingersmith to 1930s Korea for The Handmaiden, and Waters said the film keeps the heart of her novel: women “appropriating a very male pornographic tradition.” Jade Seduction takes up that idea in a Chinese imperial palace, with a story of its own. Four threads run through all three.

Fingersmith, The Handmaiden and Jade Seduction, compared
Compare by指匠情挑FingersmithNovel · Sarah Waters, 2002아가씨The HandmaidenFilm · Park Chan-wook, 2016玉指情挑Jade SeductionGL manhua · ongoing
London, 1862A thieves’ kitchen in the city and Briar, a gloomy country house.Little, Brown · O’Callaghan 2017, p. 75Korea, 1930sUnder Japanese colonial rule.Shin 2019, p. 1An imperial palaceTwo consorts in one court, with flashbacks to the spring they met four years earlier.Chapters 1 and 3
Her uncle’s libraryHe makes Maud the secretary to his collection of erotica. Waters read the real Victorian books for it.Waters 2022Read aloud to buyersLady Hideko is trained to read the collection aloud to invited men.Bradshaw 2017An album for the emperorHer maid brings albums of women so Qingshuang can win the emperor’s favor.Chapter 1
A wedding-night lessonMaud asks Sue to show her “what a wife must do on her wedding night.”O’Callaghan 2015, p. 567Their own escapeThe men at the readings fan their red faces; between the two women, sex is the way out.Kermode 2017; Bradshaw 2017Letters to a stranger“It is normal for women to feel desire. You do, as do I”Chapter 8
Gloves offSue peels off Maud’s gloves; her uncle’s first lesson opens with the same order.Dove 2019, p. 234A silver thimbleSook-hee files down Hideko’s sore tooth with a thimble, the scene Park says drew him to the book.Barnes 2016Jade fingersA cut hand at her lips, and a technique she learned from a book.Chapter 7
Shen Qingshuang and Mu Yunzhao turn together as a decree from the Queen Mother arrives, Jade Seduction Chapter 3Mu Yunzhao leans over a startled Shen Qingshuang, Jade Seduction Chapter 3Mu Yunzhao catches Shen Qingshuang as she faints, Jade Seduction Chapter 6

Chapter 3Jade Seduction

Two rival consorts, one court: “A decree from the Queen Mother!”

Chapter 3Jade Seduction

“I can only suspect you have something to hide.”

Chapter 6Jade Seduction

“The warmth of her embrace…”

Books meant for men

Lessons Meant for Someone Else

Maud Lilly learns about sex from her uncle’s erotica, then asks Sue to teach her what a bride should know. In Jade Seduction, Qingshuang is handed an album of women to prepare her for the emperor. Neither lesson goes where it was meant to.

Chapters 1 to 7 · From the album to her lips

Maud’s lesson ends in Sue’s arms. Qingshuang’s ends at Yunzhao’s hand.

“The virtue of utmost importance is purity.”

“Though it involves two women, these acts all share the same essence.”

“…awakened all the hidden sensations within me.”

“Even the proper Lady Xian hides things under her bed, I see.”

“Did I unknowingly apply the technique I learned from before?!”

“Surely she… did not notice…”

Read the first lesson7 sections so far · Ongoing · Free to start
Jade Seduction

“It Is Normal for Women to Feel Desire”

Qingshuang leaves letters under a stone bridge for a stranger, about a desire she cannot confess. The stranger writes back. Neither knows the other is the rival consort she sees every day. Maud ends Fingersmith writing erotica of her own, playing the men at their own game, as Waters puts it; these two start with letters.

Shen Qingshuang turns a red leaf in lamplight, Jade SeductionShen Qingshuang, a comb in her hair, eyes lowered, Jade SeductionShen Qingshuang sits alone among autumn maples, Jade Seduction Chapter 8
Chapter 5Chapter 5Chapter 8Shen QingshuangWrites to a stranger
Shen Qingshuang and Mu Yunzhao, their letters and their words face to face, in Jade Seduction
QingshuangMomentYunzhao
“No woman will claim to be virtuous after defiling herself as I have.”“The desires of women are no sin, but they’re treated as the most shameful of them all!”
“But it brings me relief nonetheless.”“It is normal for women to feel desire. You do, as do I”
“If you insist on staying inside, you would have to share my bed!”“…the wall you put between us!”

7 sections so far · Ongoing · Free to start

Meet Qingshuang and Yunzhao
Mu Yunzhao reads a letter, Jade Seduction Chapter 6Mu Yunzhao frowns over a letter, Jade Seduction Chapter 6Mu Yunzhao looks back by lamplight, Jade Seduction Chapter 8
Chapter 6Chapter 6Chapter 8Mu YunzhaoWrites back
Fingers

The Hands in Both Titles

A fingersmith is a thief with clever hands. 玉指, jade fingers, gives those hands to a consort.

In Fingersmith, desire starts when Sue peels off Maud’s gloves, and the uncle’s first lesson begins “Take off your gloves.” Jade Seduction keeps coming back to hands: on her face, on the reins, on the strings, over hers on a brush.

Watch the hands and you can read the story before anyone admits to it.

7 sections so far · Ongoing · Free to start

Follow the hands
Questions

Jade Seduction and Fingersmith, Answered

Is Jade Seduction based on Fingersmith?

No. It is a homage, not an adaptation. Its Chinese producers say the 情挑 in its title comes from 指匠情挑, the Chinese title of Fingersmith, but the story is its own: two imperial consorts, no con, no lady and maid. Jade Seduction is free to start on Baiheverse.

What should I read after Fingersmith?

If you loved Maud and Sue, try Jade Seduction. The story is a different one, set in a Chinese imperial palace, but its makers wrote it as a homage to Fingersmith, and it is a pleasure to see a lesbian classic honored in Chinese GL. Waters has said her novel celebrates “story-pinching”: it began with a twist borrowed from Wilkie Collins. For more historical GL, see Ancient & Historical Baihe to Read in English.

Is The Handmaiden based on Fingersmith?

Yes. Park Chan-wook’s 2016 film moves Sarah Waters’s novel to Korea under Japanese rule, and Waters told The Guardian it stays true to her book. She later called it “deliriously good.” Jade Seduction is a Chinese GL story in the same tradition.

What tropes are in Jade Seduction?

Rivals to lovers, with a past. A kiss that ends in a slap, four years apart, two consorts in the same palace, letters to a stranger who is no stranger at all, and an inner room with only one bed. Jade Seduction is free to start.

Is baihe the same as yuri or GL?

Yes, they name the same stories. Yuri is the Japanese word for girls’ love, baihe (百合) the Chinese one, and GL the English shorthand. Jade Seduction is Chinese baihe, published in English as GL manhua. More in What Does Baihe Mean?.

Is Jade Seduction free to read?

It is free to start. Jade Seduction is ongoing on Baiheverse, with 7 sections so far.

Sources

  1. Armitstead, C. (2017) ‘Sarah Waters: “The Handmaiden turns pornography into a spectacle – but it’s true to my novel”’, The Guardian, 8 April. Available at: theguardian.com/film/2017/apr/08/sarah-waters-the-handmaiden-turns-pornography-into-a-spectacle-but-its-true-to-my-novel- (Accessed: 28 October 2026).
  2. Barnes, H. (2016) ‘Park Chan-wook on relocating Sarah Waters’ Fingersmith to Korea’, The Guardian, 17 May. Available at: theguardian.com/film/2016/may/17/park-chan-wook-on-relocating-sarah-waters-fingersmith-to-korea (Accessed: 2 November 2026).
  3. Bradshaw, P. (2017) ‘The Handmaiden review – outrageous thriller drenched with eroticism’, The Guardian, 13 April. Available at: theguardian.com/film/2017/apr/13/the-handmaiden-review-park-chan-wook (Accessed: 2 November 2026).
  4. Dove, D.M. (2019) ‘Ghostly gloves, haunted hands: the material trace in Sarah Waters’s Affinity and Fingersmith’, Victoriographies, 9(3), pp. 222–241. Available at: doi.org/10.3366/vic.2019.0351
  5. Kermode, M. (2017) ‘The Handmaiden review – a ripe, erotic tale’, The Observer, 16 April. Available at: theguardian.com/film/2017/apr/16/the-handmaiden-park-chan-wook-review-sarah-waters-fingersmith (Accessed: 2 November 2026).
  6. O’Callaghan, C. (2015) ‘“The grossest rakes of fiction”: reassessing gender, sex, and pornography in Sarah Waters’s Fingersmith’, Critique: Studies in Contemporary Fiction, 56(5), pp. 560–575. Available at: doi.org/10.1080/00111619.2015.1019399
  7. O’Callaghan, C. (2017) Sarah Waters: gender and sexual politics. London: Bloomsbury Academic. Available at: doi.org/10.5040/9781474271523
  8. Shin, C.-Y. (2019) ‘In another time and place: The Handmaiden as an adaptation’, Journal of Japanese and Korean Cinema, 11(1), pp. 1–13. Available at: doi.org/10.1080/17564905.2018.1520781
  9. Waters, S. (2022) ‘“My diabolical delight” – Sarah Waters on her rip-roaring, salacious classic Fingersmith’, The Guardian, 14 November. Available at: theguardian.com/books/2022/nov/14/sarah-waters-fingersmith-lesbian-pornography-diabolical-rip-roaring (Accessed: 2 November 2026).
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